Tue March 20

Doors: 7:30 pm / Show: 8:00 pm

$12.00 - $15.00

This event is 21 and over

ROYAL THUNDER are a four-piece rock band based out of Atlanta, Georgia that seamlessly blend the elements of heavy classic rock, 90's grunge, and forward-thinking progressive rock. Propelled by the powerfully emotional voice of frontwoman Mlny Parsonz, the guitar heroics of Josh Weaver, and the dynamic drums of Evan Diprima, ROYAL THUNDER have been described by NPR as “a revved-up Southern hard-rock that howls like Led Zeppelin astride a psychedelic unicorn” and as "magnificently compelling rock music" by Decibel Magazine. Formed in 2004 by Weaver, his brother, and his best friend, the band went through several lineup changes over the years before settling on their current lineup, which also incorporated second guitarist Will Fiore as of 2015.

In 2007, ROYAL THUNDER self-released their debut EP and started touring with Jesse Stuber on drums. By 2010, Relapse Records took notice and signed the band, beginning with an official re-release of their self-titled EP then later releasing their 2012 full-length debut, CVI. Stuber left the band after CVI was complete, replaced by drummer Lee Smith. The band toured with Lee Smith and Josh Coleman (who also joined during the making of CVI on second guitar) for a few US tours. CVI was widely praised by critics, including Rolling Stone's David Fricke, who said that Weaver’s playing has “the meaty, base elements of early-Seventies British blues” and Metal Hammer Magazine, who stated, “through the powerhouse vocals of Mlny Parsonz and a refusal to keep their sound boxed, Royal Thunder look set to be the underground's next big breakout stars”. Other publications such as SPIN called the album "stunning" while Revolver Magazine described it as "essential" and The Guardian called the band "elegantly powerful," and compared them to prime Led Zeppelin.

Since current drummer Diprima joined in October 2012, the band have been heavily touring the world, including full North American and European Tours with Baroness as well as prominent US tours alongside Monster Magnet, The Dillinger Escape Plan, Pallbearer, Enslaved, Corrosion of Conformity, O'Brother and many more. The group have also played high-profile festivals including SXSW, Bonnaroo, Scion Rock Fest, Bragg Jam, Roadburn, and numerous others. In a gap in their heavy touring schedule in 2013, the band recorded CVI: A, a set of acoustic renditions of three songs from CVI. ROYAL THUNDER then entered the studio once more in January of 2014 to begin their sophomore LP, Crooked Doors which was once again recorded, produced, and engineered by Joey Jones of Aria Recording Studio, with whom the band has a long standing working and personal relationship. Crooked Doors was released worldwide in April of 2015 via Relapse Records and has been praised by dozens of high-profile publications including Stereogum, The Guardian, and NPR, the latter of which called the Atlanta band “a modern master of hard-rock.” Though they’ve been around for ten years, ROYAL THUNDER seem to have only just hit their stride – the future stands to be even more uproarious than the band’s exciting early development.
The early history of experimental duo PINKISH BLACK is as mournful and tumultuous as the band’s music. The Fort Worth, TX band originally formed in 2005 as a threepiece doom/jazz project known as The Great Tyrant, but The Great Tyrant never got the chance to release any music – in February 2010, midway through a battle with technical problems, the band’s bassist Tommy Atkins tragically committed suicide, bringing the album’s recording and production processes to a halt.

After Atkins’s passing, remaining members Jon Teague (drums/synths) and Daron Beck (vocals/synths/ keyboards) set out to redefine current conceptions of heavy music with an unorthodox and forward-thinking synth- driven approach, furthering the work they had started with The Great Tyrant. The band, now a duo, changed their name to PINKISH BLACK in 2010, and released their self-titled debut that same year on Handmade Birds. Pinkish Black was critically acclaimed, as was the band’s 2013 follow-up on Century Media, Razed to the Ground. In its review of the former, Pitchfork called PINKISH BLACK “a band that exudes promise,” while Stereogum called the latter album “an absolute stunner.”

Since Razed to The Ground, PINKISH BLACK have solidified both their confidence and their direction – they signed to Relapse in December 2014, and have steadily refined their songwriting and style over the course of the last two years. Though usually associated most closely with the metal scene, PINKISH BLACK have demonstrated an unflinching capacity to dip their toes in all sorts of disparate musical markets, from doom metal and industrial to post-punk and no-wave.

October 2015 will see the release of PINKISH BLACK’s newest opus, Bottom of the Morning,a 7-track dark music journey that runs the full gamut of influences PINKISH BLACK have touched on in the past as well as many new experimentations added to their palette. From the gothic, horror-movie-esque organ intro of opener “Brown Rainbow” to the wistful, fuzzed-out conclusion of final track “The Master Is Away,” Bottom of the Morning is simultaneously dark and catchy, dissonant and melodic, smothering audiences with heavy layers of distorted, repressive gloom that still end up as earworms despite their pessimism. It's as if Scott Walker and John Carpenter were having a bad acid trip with the Melvins, or if someone dipped PINKISH BLACK’s ambling, psyched-out space-rock influences in a vat of molten iron. Recorded at Echo Lab Studios in Argyle, TX by Matthew Barnhart and mastered by James Plotkin (Cave In, Electric Wizard), Bottom of the Morning stands to see PINKISH BLACK affirm themselves as one of the most interesting and far-thinking experimental duos currently active.
Take Over And Destroy: An American rock & roll band from the 1970's trapped inside a Scandinavian metal band from the 1990's.
Venue Information:
Pub Rock
8005 East Roosevelt Street
Scottsdale, AZ, 85257